Gothic Architecture
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@@ -26,7 +26,7 @@ keynote: false Gothic architecture is the style of building that prevailed in Catholic Europe and parts of Western Asia from the late 12th century through the 16th century. It is defined by three structural innovations — the pointed arch, the rib vault, and the flying buttress — that together allowed architects to build much taller structures with thinner walls and larger windows than had been possible in the preceding Romanesque tradition. The style was driven by the theological demands of the Catholic Church, which sought buildings in which worshippers could experience divine light filtered through coloured glass, and by the civic pride of growing medieval cities, which competed with one another to erect the tallest and most elaborate cathedrals as expressions of municipal wealth and piety. The term "Gothic" originated as a pejorative. The Italian Renaissance art historian Giorgio Vasari used the term "barbarous German style" to describe medieval pointed-arch buildings in his *Lives of the Artists* (mid-16th century), attributing the style contemptuously to the Goths who had sacked Rome. Vasari's dismissal reflected the Renaissance view that classical architecture represented the height of human achievement and that the intervening centuries of pointed arches and vertical stone structure represented a regression. The name "Gothic" stuck, though the identification with the historical Goths has no architectural basis. The term "Gothic" originated as a pejorative. The Italian Renaissance art historian Giorgio Vasari used the term "barbarous German style" to describe medieval pointed-arch buildings in his *Lives of the Artists* (mid-16th century), attributing the style contemptuously to the Goths who had sacked Rome. Vasari's dismissal reflected the Renaissance view that [[classical-architecture|classical architecture]] represented the height of human achievement and that the intervening centuries of pointed arches and vertical stone structure represented a regression. The name "Gothic" stuck, though the identification with the historical Goths has no architectural basis. ## Structural principles and their development @@ -50,15 +50,15 @@ Gothic architecture began in northwest France in the 12th century, developing in ## Gothic Revival in North American secondary markets The Gothic style effectively ended with the Reformation and the Renaissance's revival of classical forms in the 16th century. It returned as the Gothic Revival in the 18th and 19th centuries, when architects and patrons seeking alternatives to neoclassical austerity turned to medieval precedent. In Britain, the Gothic Revival was associated with the Romantic movement, with nationalism, and with the Anglican Church's interest in pre-Reformation ecclesiastical forms. The Gothic style effectively ended with the Reformation and the Renaissance's revival of classical forms in the 16th century. It returned as the Gothic Revival in the 18th and 19th centuries, when architects and patrons seeking alternatives to [[neoclassical-architecture|neoclassical]] austerity turned to medieval precedent. In Britain, the Gothic Revival was associated with the Romantic movement, with nationalism, and with the Anglican Church's interest in pre-Reformation ecclesiastical forms. In North America, the Gothic Revival arrived in the first half of the 19th century and was quickly adopted for church construction. Protestant denominations — Anglican, Presbyterian, Methodist, Baptist — built Gothic Revival churches across Canadian and American cities throughout the 19th century, applying the pointed arch and stone tracery vocabulary to brick construction at the scale of the local congregation. These church buildings, typically occupying corner sites on the main commercial street or on prominent residential thoroughfares near the downtown core, define the heritage character of secondary market commercial districts as reliably as the neoclassical bank buildings and art deco office blocks that surround them. In North America, the Gothic Revival arrived in the first half of the 19th century and was quickly adopted for church construction. Protestant denominations — Anglican, Presbyterian, Methodist, Baptist — built Gothic Revival churches across Canadian and American cities throughout the 19th century, applying the pointed arch and stone tracery vocabulary to brick construction at the scale of the local congregation. These church buildings, typically occupying corner sites on the main commercial street or on prominent residential thoroughfares near the downtown core, define the heritage character of secondary market commercial districts as reliably as the neoclassical bank buildings and [[art-deco|art deco]] office blocks that surround them. Gothic Revival was also applied to institutional and civic buildings: university colleges, law courts, railway stations, and municipal buildings in a number of Canadian cities adopted the Gothic vocabulary as an expression of civic ambition and historical connection. The Supreme Court of Canada in Ottawa (1941) was built in a Gothic Revival style that echoes the Parliament Buildings on the adjacent hill. Victoria University at the University of Toronto (1892) is a Gothic Revival college building. ## Co-location implications For co-location site evaluation, the relevance of Gothic architecture lies primarily in the Gothic Revival buildings that occupy secondary market commercial nodes. These buildings — primarily churches — are not themselves commercial; they do not generate retail sales, office rental income, or professional services. Their relevance is as foot-traffic generators, site anchors, and nodes of civic identity. For [[co-location-strategy|co-location site evaluation]], the relevance of Gothic architecture lies primarily in the Gothic Revival buildings that occupy secondary market commercial nodes. These buildings — primarily churches — are not themselves commercial; they do not generate retail sales, office rental income, or professional services. Their relevance is as foot-traffic generators, site anchors, and nodes of civic identity. A Gothic Revival church on a corner lot at the intersection of two main commercial streets marks that intersection as established and identifiable. Church-going populations create consistent weekly foot traffic. Church halls are frequently rented for community events and professional meetings. The professional service network of lawyers, accountants, and financial advisers who serve the church's congregational community often establishes offices in proximity to the church.